In Review

Published April 6, 2010 In Review
James David Morgan

In Review: Designing for Resilience, Red Sun Press, and Bumpkin Island Art Encampment

economic function of public art In Review: Designing for Resilience, Red Sun Press, and Bumpkin Island Art Encampment
Jacob Chamberlain deliberates on public art and integrity at Provisions Library

Built to Thrive | We often wonder how and why some terrible ideas manage to stick and survive.  Shareable is hosting a forum to get at how good ideas can do the same. [Shareable]

Speaking of Thriving | Red Sun Press, our local movement print shop, did a short video protesting the Chamber of Commerce. [Red Sun Press]

Urban Bumpkins | The Berwick Research Institute has put out a call for a summertime art encampment, in which homesteaders will create public art installations on the Boston Harbor Islands. [Bumpkin Island Art Encampment]


Published April 5, 2010 In Review
James David Morgan

In Review: Paper Politics, Art in Odd Places, Public Processes

paper politics 209x300 In Review: Paper Politics, Art in Odd Places, Public Processes
Paper Politics is out on PM Press.
Copies are available from Just Seeds.

Put that Where? | Art in Odd Places, a festival exploring the odd, ordinary and ingenious in the spectacle of daily life, is accepting submissions. [AIOP Blog]

It’s Just Seeds | Our friend Josh MacPhee is at Red Emma’s in Baltimore tonight at 7PM to talk about Paper Politics: Socially Engaged Printmaking Today. [Red Emma's]

Public Process | Cambridge, MA, is commissioning ten public artists for a mile-long installation on busy Cambridge Street.  Proposals range from real-life Twitter birds to the world’s largest potluck. [Cambridge Arts Council]

Published April 2, 2010 In Review
James David Morgan

In Review: Trade School, Artists’ Lottery Syndicate, and Meaningful Street Art

jenny holzer rome 1998 242x300 In Review: Trade School, Artists Lottery Syndicate, and Meaningful Street Art
Jenny Holzer in Rome, 1998

Get Lucky | Since capital is in crisis, UK-based artists have joined forces, in hopes of hitting the big one. [Artists' Lottery Syndicate]

Repeat Offenders | A favorite project around here, Trade School, (previously) finished in February, but the organizers are hoping for a comeback, and they need the funds to re-open in September. [Donate to Trade School]

Go Practice | Scientists now say that street art “elicits meaningful discussion.” [UPI]

Published August 25, 2009 In Review
James David Morgan

Groundswell Weekly Review: August 16 – 22, 2009

weekly review Groundswell Weekly Review: August 16   22, 2009

This week’s review is a pop quiz! Sharpen your #2 pencils, open new browser tabs, and breathe a sigh of relief because we’re giving you the answers.

Q: Do you know where Marx wrote Capital?
A: In a museum.

Q: What does anti-fascist photomontage look like?
A: This is what anti-fascist photomontage looks like.

Q: What is the PostNatural Organism of the Month?
A: E. Coli x1776

Q: How do you hack corporate culture?
A: Take the advice of the Yes Men.

Q: Who was the recipient of the Anne Elizabeth Moore Award for Excellence in Awesomeness?
A: The venerable Laurie Jo Reynolds!

Published August 16, 2009 In Review
James David Morgan

Groundswell Weekly Review: August 9 – 15, 2009

weekly review Groundswell Weekly Review: August 9   15, 2009

For the last two months artists have been floating around New York City on the Waterpod, a 3,000-square-foot experiment in community living and artistry. Just don’t call it Burning Man – that happens later this month.

Apropos of the recent discussions of right-wing street art, the LA Times opines about KKK quilts, the veritable antithesis of radical cross-stitch.

Trevor Paglen makes the invisible visible and fashionable.

Critical Network is “keen to promote critical and contextual art, events and discussion,” just like we are. Highly recommended – great work!

Teenage Texans crafted an impressive living newspaper on immigration, and Katie Kurtz put forward the first part of her Proposal Toward Visual Eco-Criticism.