The weeks between us and the HONK! Festival are waning away, and to help make the excitement that much more palpable, here are links to the posters we’ve created. These are print-ready, please feel free to copy and distribute as far and wide as you’d like!

Credit for the background image goes to Seth Tobocman
Also, thanks to the talents volunteered by David Blank-Edelman, honkfest.org relaunched recently. The site will offer the opportunity to build on the festival’s four year long momentum, and will be a focal point of post-festival organizing efforts.

Among the highlights are listings of band attendees, with biographies, geo-tagging, and links to more content. We’ve organized pictures from past years, created a Twitter account, and much more. Be sure to check the schedule page and make plans to attend. See you there!
Disclosure: I am a member of the HONK! Festival Organizing Committee.
Our comrade Josh over at the incredible JustSeeds.org recently posted an extensive book list of post-WWII political poster art. This list covers everything from a catalogue of Mark Rudin (Jihad Mansour) posters:

To a collection of work by the Dutch squatting movement and the “autonomous” left:

I cannot overstate how great this list is. It’s perfect for someone looking to round out their library or start one. Check out the full list here.
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Our favorite local, movement print shop, Red Sun Press, celebrates its 35th year with an anniversary exhibit that opens tomorrow. Consisting of posters printed by Red Sun Press, the retrospective highlights progressive activism of the past thirty five years – focusing on peace, justice and a sustainable world.
Jamaica Plain Open Studios
September 26-27, 2009
11 am-6 pm
94 Green Street, Jamaica Plain, MAReception
Saturday, September 26, 6-8 pm
Hope to see you there!
(Artist and Groundswell guest blogger Chris Kennedy makes projects for the land and for situated communities. His ongoing projects include Artiscycle, Groups and Spaces, and the Institute for Applied Aesthetics.)
MIT Press just released a new book Art School: Propostions for the 21st Century edited by Steven Henry Madoff. After reading half-way through the a great collection of essays – it’s turned out to be quite an amazing book – artists and educators alike thinking critically about what art education in the 21st century will encompass, how will we address the problematic factory of MFA programs and the lack of funding for artists emerging from institutions around the world? It offers some inspirational options, critique and invitations for action. I recommend taking a peak if you have some cash to spare!
The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today’s artists. Art School (Propositions for the 21st Century) brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms.
(Artist and Groundswell guest blogger Chris Kennedy makes projects for the land and for situated communities. His ongoing projects include Artiscycle, Groups and Spaces, and the Institute for Applied Aesthetics.)

The annual Conflux festival starts today in New York City…oddly sponsored by NYU an institutional monopoly of real estate and education in New York. But there are some great workshops to check out! Particularly Steve Lambert’s College of Tactical Culture: The CTC is a think tank on creative activism led by Stephen Duncombe and Steve Lambert, where participants traded experiences in order to inform practices, build relationships, and create space for new projects and collaborations.
Conflux is the annual New York festival for contemporary psychogeography, the investigation of everyday urban life through emerging artistic, technological and social practice. At Conflux, visual and sound artists, writers, urban adventurers and the public gather for four days to explore their urban environment.